Charles Krafft’s ceramics were long thought to be ironic — until he was exposed as a Holocaust denier

For decades, iconoclastic Seattle artist Charles Krafft has made references to Nazis in his highly acclaimed, sometimes shocking pieces of art that most critics and art lovers brand as simple, ironic satire pushing the boundaries.
He crafted a ceramic Hitler-bust teapot now in a San Francisco art museum, and put swastikas on other pieces of art, even on a ceramic wedding cake. He made a ceramic Uzi assault rifle, hand grenades and an “assassin’s kit” – a gun and dagger.
Now, the 65-year-old hippie-turned-artist is at the center of a growing controversy following a published report detailing evidence — including his own words — that suggests he is a white nationalist who believes the Holocaust is a myth.
Hundreds of comments about Krafft are being posted on Facebook and Twitter and elsewhere, and the art and culture world — particularly in ceramic art circles — are abuzz over the revelations published in The Stranger, a Seattle alternative paper. The headline on that piece was hard to misunderstand: “Charles Krafft Is a White Nationalist Who Believes the Holocaust Is a Deliberately Exaggerated Myth.”
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